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Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5

Anatomy of Prototyping a New Saddle Pattern

Chapter 1 - The Basic Structure

First I have to locate a pattern to work from. I prefer to use full scale saddle patterns whenever possible. For this pattern I found two books: one for a full size saddle and one for a 6" saddle. I need to make 3" saddles. The 6" saddle pattern is one you would put on a key chain, not on a model horse. Neither books contained pictures, just drawings. And the author of the book was able to use tacks, nails and other materials unsuitable for the model horse hobby. I will use the patterns and techniques from both books to create a unique pattern specifically for model horses. I scan in all of the pattern pieces and reduce to the  correct size base on other saddle patterns I have made. Scanned images can be manipulated and reproduced much easier than traced images.

   

This is the first assembly of the 6" pattern, what I call the skeleton. I made no attempt the make the padding work. Here I just wanted to see how all the piece fit together. Several problems became apparent with this first attempt The poleys (kneepads) are too thin. The front of the saddle looks incomplete. The lower pads will need some design improvements. Then there's the rigging and stirrup leather location problems to address. But at least things fit together, for the most part.

With the first attempt at padding (lower pads and seat) I ran into "bulk" and fitting  issues. These were created closely with the instructions in the book. Time to try again.
Australian Stock saddles normally use a fabric called serge for the lower pads. Here's a nice first failure at making fabric pads of cotton batting and cotton sheeting.  Okay, so that didn't work. Next?
Here also is the first attempt to join the lower flaps to create the correct gullet size. I tossed out the extra lower flap piece from the book as it was not necessary and just added bulk.
Lower pads and flaps: next attempt.
Much better. But still not exactly correct. I made the top from skiver and the bottom from craft felt. I was hoping to find a leather solution. But the craft felt behaved and the leather was just too stiff. And I used craft foam to stuff the lower pads. But the shape still isn't correct.

From here I decided to use only craft felt on both sides of the lower flaps. 

Notice the different shape for the lower flaps. I need  enough around the seat area to glue the tree. But this is a tad bit too large as there isn't enough room for the piece that fits on the very back edge of the lower pads.

Saddle 1

The first true prototype. Here I'm looking to make the back of the saddle work. And I'm also looking for correct fit on the a model to see if I need to make the pattern larger or smaller. In this case, I could make the pattern larger, But it just didn't seem necessary. I'll review this again as I go along.

Saddle 2
The back is taking shape so it's time to start addressing the  kneepads (called a poley or poleys) and the decorative reinforcement panels. Both are made from 2oz leather, two layers for the poleys. It's obvious that the reinforcement panels need to be made out of skiver for this scale saddle. The front of the saddle still needs lots of work. 
Saddle 3
Here the reinforcement panels are made of skiver. I wanted to see what would happen if the skirts were made from skiver  as well. Though it would eliminate the need to skive, it doesn't do much for the shape of the back of the saddle.

Here's a first attempt at finishing the front of the saddle. It  looks unfinished even with two layers of piping detail. I will have to modify the tree. 

Saddle 4
Every once in a while I make a change that causes a complete failure. Here the tree would not fit onto the lower assembly as I made the gullet too wide. But you can see the layers with this saddle, each in a different color. The tan is the lower flaps with the green lower pads attached. The reddish-brown (called  British-tan) is the upper flaps. The tree and skirts are black. The reinforcement panels are dark brown. The black strip of leather is a failed attempt at creating a stirrup bar as  with my other English saddle patterns. This saddle will need a completely different solution.
Saddle 5
Here's a failed attempt at fixing the front finishing problem. I  modified the tree, but turns out it wasn't enough of a change.

The back is really taking shape. The process for creating the lower pads is nearly complete. I still want to find a way to  make the back of the seat more vertical. But I am please with the progress so far.

This is the first attempt at finding a way to attach the stirrup leathers without using the stirrup bar assembly. I don't like this method and will look for another solution.

Neither book had any information on stirrups leathers or rigging. If I am going to figure out the bulk issues for the  center of the saddle, I will need to do some research before making any more prototypes. Off to ebay and the web to  look for pictures of the basic parts.

Here's the first blocking tool for the prototypes. I don't even consider creating a blocking tool until I think I have the shape of the tree figured out. Turns out, I created this one too soon.

Only the last two saddles (above) used this blocking tool. For  the others I wet the skiver and used the tree to block the shape. It takes more time and talent than using a blocking tool.  The leather I used for his tool is very thick (belt weight tooling leather), tough on a blade and not much fun to work with. But my Mommie gave it to me (it was free) so I really can't complain.

09/09/05

On to Chapter 2